SYLLABUS, SPRING 1996
ANT 448X AMERICAN INDIAN LANGUAGES AND CULTURES
Professor: Gary Palmer; Office: WRI 304B;
Email: gbp@nevada.edu; Phone 385-3379;
WWW: http://www.nevada.edu/home/6/gbp/pub/palmer.html
Office Hours: 10:20-11:20, 2:20-2:40 MWF
Course Objectives:
The objective of this course is to increase appreciation of American
Indian languages understood in their various cultural contexts. It presents
the language families and languages of North America and it examines the
structure and functions of American Indian poetry, song, narrative, conversation,
and prayer with special attention to metaphor and other forms of figurative
language.
Required Texts:
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Bahr, Donald, Juan Smith, William Smith Allison, and Julian Hayden (1994)
The Short Swift Time of the Gods on Earth. University of California Press.
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Basso, Keith (1979) Portraits of the "Whiteman": Linguistic Play and Cultural
Symbols among the Western Apache. Tucson: The U. of Arizona Press.
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Bright, William (1993) A Coyote Reader. University of California Press.
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Hinton, Leanne (1994) Flutes of Fire: Essays on California Indian Languages.
Berkeley: Heydey Books.
-
Powers, William (1993) Sacred Language: The Nature of Supernatural Discourse
in Lakota. University of Oklahoma.
Expectations:
In this class I place a high value on three things, given in order
of importance:
(1) You exercise initiative in choosing an American Indian language
and pursuing independent study of the language in its cultural context
through library research. This does not mean that you have to learn to
speak the language. Find out about the language, where its speakers live,
and how many people still speak it. Find out what other languages it is
related to, and what languages lie on its borders. Find out how to write
the sounds of the language. Assemble vocabulary lists on interesting topics,
such as kinship, religious deities, or directions, and analyze them to
the best of your ability in ways that I will present in class. Find and
analyze songs and narratives in ways that I will present in class. Discover
how the language is used for addressing people of different ages, genders,
or kinship relations, for joking, for story-telling, and so on. Finally,
you present your most interesting findings to the class and hand in a final
paper on the language that you have studied.
(2) completion of assigned written work on time;
(3) evidence that you have actually thought about your reading and
evaluated it or applied it to your own life's experiences.
Assignments:
Chapter summaries, mid-semester precis, and a final paper, as described
below.
All chapter summaries and papers should be typed and double spaced
(mandatory after week 2). You may use both sides of the paper if you desire.
Precis and Final Paper:
Every student will pick one language to study for the semester and
write a paper discussing that language in its cultural context. Students
will present portions of their papers in class. A precis of the paper will
be due at mid-term. The precis must specify the language chosen for study,
it must include a bibliography of sources that you plan to use to write
the paper, and it must propose themes for investigation that are possible
given the bibliographic resources. Grading of the paper will be based on
the overall quality and quantity of the work. For the final paper use the
submission format for the UNLV Journal of Anthropology or any standard
manuscript format that you are familiar with. For papers longer than a
single page, use a staple in the upper left-hand corner. Make sure your
printer ribbon or cartridge has plenty of ink. Never use any plastic or
fiber-board cover.
Chapter Summaries, how to do them:
For each chapter of assigned reading hand in a one-paragraph summary
of essential or interesting points and one additional paragraph in which
you critique or discuss the information in terms of its validity, usefulness,
interest, or whatever. Just say something about it and I will respond to
it with notes in the margins. I find that students get better at this throughout
the semester. This work will be marked either "OK" or "Good" or "Not satisfactory;
rewrite and hand in." Summaries are due on Wednesdays and Fridays, as specified
below.
Grading:
Precis 100 pts., final paper 200 pts. where 60% = C- , 80% = B-, and
90% = A-. These major projects anchor your grade. Other features of your
participation and performance in the class may raise or lower your grade.
There is no fixed number of points given for chapter summaries and they
are graded only "OK" or "Good". It is best to think of them as your entry
fee to the course. Unsatisfactory papers and late papers in excess of 2
prior to midterm and 2 after mid term will result in a deduction from your
grade. If you anticipate that you will be absent more than twice before
mid-term and twice after mid-term, or that your chapter summaries will
be late more than twice before mid-term and twice after mid-term, please
come and discuss it with me during the first week. Excessive numbers and
absences and late or unsatisfactory chapter summaries will result in half-grade
deductions or more. If you seldom come to class, I will not give a passing
grade unless you can demonstrate to my satisfaction through an oral or
written examination in addition to your assigned written work that you
have done a significant amount of work for the course. Attendence and informed
contributions to discussions are also taken into consideration. Class attendance
and discussion are important because they afford an opportunity for all
of us to verbally rehearse the facts and vocabulary of our topic. We can
only do this effectively if we have done the reading. That is why chapter
summaries must be handed in on time. Much of our time will be spent in
discussion of the readings and your own research projects. Lectures will
be kept to the minimum necessary to enable you to read the assignments
and conduct your own research projects. If you are shy and quiet by nature,
making participation in discussions difficult for you, please come and
speak to me about it and I will try to make allowances.
Schedule:
WEEK 1: LANGUAGES OF NORTH AMERICA
Read: Hinton, Introduction, Pt. I (FRI)
WEEK 2: LANGUAGES OF CENTRAL AND SOUTH AMERICA (IF TIME PERMITS)
Read: Hinton, Pt. II (WED), III (FRI)
WEEK 3: WOMEN'S AND MEN'S LANGUAGE
Read: Hinton, Pt IV (WED), V (FRI)
WEEK 4: JOKING AND COYOTE TALK
Read: Basso, Ch. 1 (WED), Ch. 2 (FRI)
WEEK 5: RHYTHMS OF SPEECH AND SILENCE
Read: Basso Ch. 3 (WED), Ch. 4 (FRI)
Be prepared to discuss the work that you have done in selecting a language
for study and the materials that you have discovered.
WEEK 6: SOCIAL CONTROL THROUGH LANGUAGE
Monday: Washington's Birthday
Read: Basso Ch. 5 (WED-see below), Appendix (FRI-Instead of a summary
and critique, make a list of things that Apache's find humorous and see
if you can explain why.)
WEEK 7: COUPLET STRUCTURES AND MARKING OF VERSE
Read: Bright Ch. 1, 3 (WED - omit ch. 2), Ch. 4 (FRI)
For chapter 4, Wednesday, instead of a summary and critique, make a
map of Coyotes travels as best you can and answer the following questions
about "Coyote Goes to a Dance":
-
What do you think is the significance of Coyote's behavior at the flower
dancing?
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Exactly why are ants called "Coyote-peeling-back-his-foreskin"?
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Why do you think that Coyote's helpers are mice?
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How many phrases begin with "And then"? How many do not? What do you think
is the discourse function of the phrase translated as "And then"? Your
explanation should account for why it occurs with such frequency.
-
How many phrases have "he/she said" or "they said"?
-
Discuss the differences in styles between the first two tales told in Karuk
by Mamie Oldfield and Chester Pepper versus the last tale written by Simon
Ortiz.
WEEK 8: NARRATIVE THEMES AND MOVEMENTS
Mid-semester Week: Be prepared to discuss the progress you have made
in selecting a theme or developing a theme for your final paper.
Read: Bright, Ch. 5 (FRI) Instead of a summary and critique, answer
the following questions:
-
What does the story "How her teeth were pulled" say about gender relations
in Northern Paiute culture?
-
Make a xerox copy of the story "Coyote establishes fishing taboos" and
circle all the phrases that are couplets. For example, you would draw a
circle around the following two phrases:
He was coming.
he came to Got'at.
-
In the story "Coyote establishes fishing taboos," list, from highest to
lowest, the three most common ways of beginning a phrase and give the number
of instances for each.
-
What is your theory about why Coyote consults his own shit, rather than,
say, an elder, a deity, or another animal?
-
In the story "Coyote gives birth," what is the most frequent way to begin
a sentence?
-
Make a diagram of Coyote's travels in the story "Coyote gives birth" complete
with directions where available.
-
Is there any connection between the first part of this tale and the last
part? That is, does Coyote losing his feathers have anything to do with
Coyote teaching the people how to give birth?
-
Why does Coyote prescribe that the woman giving birth shall scratch her
head with a head scratcher?
-
What are the introductory phrases in the four Indian tales in chapter 5?
-
What are codas to the four Indian tales in chapter 5? Which of these codas
imply an extension of mythical conditions, events, or practices into today's
world?
WEEK 9: METAPHOR AND METONOMY
Read Bright Ch. 6, 7 (WED), Ch. 8-11, 18 (FRI)
For Chapter 6,7, instead of doing a summary and critique, do the following
assignment:
Personal narratives in English are often constructed of 6 components:
-
Abstract, summarizes main point or result of story
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Orientation, identifies time, place, characters
-
Complicating action, recounts events, in chronological sequence
-
Evaluation, transmits attitudes or affect of speaker and/or other charcters
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Result or resolution, provides point of story
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Coda, terminates story (i.e. so that listeners do not ask: "And then what
happened?")
(from Bonvillain, Culture and Communication)
-
Make a xerox copy of the story "Coyote turns into driftwood" in chapter
7 and analyze the story by writing the appropriate narrative component
in the margin. You may use ditto marks where appropriate.
Ex.: So then he stooped to the water. Orientation
Are any of the narrative components missing from the story?
-
Make a list of all the verbs in the story "Coyote turns into driftwood".
Underline the active and transitive verbs (e.g. stoop, got up) and circle
the experiential verbs (e.g. feel, see, hear).
-
Discuss the last stanza (5 lines) of the tale "Coyote sucks himself".
For chapters 8-11, Friday, instead of a summary and critique, discuss the
concept of modesty as it pertains to Indian stories. What topics are freely
discussed, even told to children, that would not be discussed so freely
in Anglo-American, Afro-American, or Mexican-American culture? Why do some
cultures have restrictive concepts of modesty and others have non-restrictive
concepts?
WEEK 8: THE LANGUAGE OF GEOGRAPHY AND DIRECTION
Read: Bahr, et al., Introduction (WED), Ch. 0 (FRI)
Write a standard summary and discussion of each chapter.
WEEK 10: TIME AND SPACE IN LANGUAGE
Read: Bahr, et al., Ch. 1,2 (WED); Ch. 3-4 (FRI)
For Ch. 1,2 "Genesis" (WED), instead of a summary and critique, do the
following:
-
Make a list of the couplets in story 1, "First Creation".
-
Provide at least one example of each of the six narrative components (see
above) that appear in the supplement by Thin Leather (p. 53-58) (If a component
does not appear, note that also.).
Ex.: Orientation: In the beginning there was no earth, no water.
-
Is there anything in story 1, First Creation, that is not found in any
of the supplements?
-
What is found in Thin Leather's supplement (p. 53) that is not found in
the first story?
-
What is found in Delores supplement (p. 59-) that is not found in the first
story?
-
What do the differences in the O'odham creation story tell us about the
nature of myth? Are there many myths or does each teller own just a peice
of a single fragmented myth? Do all the peices fit together or are they
contradictory?
-
Make a list of all the characters in Story 2 (p. 69-) "Destruction through
Sex". How many are male and how many are female? How are the characters
related to one another?
-
What is Coyote's role in Story 2?
For Ch. 3,4 "New Creation and Corn" (FRI) (pp. 75-122), instead of a summary
and discussion, make outlines of the stories. That is, determine to your
own satisfaction what are the most essential elements of the plot:
Example:
Earth doctor, Siuuhu, and Coyote plan to make people.
-
They make people in their own likeness.
-
They make quails and roadrunner and send them to west and east.
WEEK 11: THE CLASSIFICATION OF ANIMALS
Read: Bahr, et al., Ch. 5,6 (WED); Ch. 7,8, Conclusion (FRI)
Do a standard summary and discussion of each chapter.
WEEK 12: PRAYER AND RITUAL LANGUAGE
Read: Bahr, et al., Ch. 9,10, 11 (WED); Powers, Introduction, Ch. 1
(FRI). Do a standard summary and discussion of each chapter.
WEEK 13: PERSONAL NAMES AND TRIBAL NAMES
Read: Powers, Ch. 2,3 (WED), Ch. 4,5 (FRI)
Do a standard summary and discussion of each chapter.
Begin presentations based on final papers.
WEEK 14: DISAPPEARING LANGUAGES AND THE AM. IND. LANGUAGES ACT
Powers, Ch. 6 (WED), 7 (FRI)
Continue presentations based on final papers.
WEEK 15: Continue presentations based on final papers, if necessary.
MONDAY, MAY 6, FINAL PAPERS DUE When grading is completed, all papers
will be left in a file in the anthropology office where you may pick them
up.
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