Recommendation 2
Educational Module for Informing Music Students about Hearing
Loss
Goal 2. To promote healthy beliefs about hearing
loss and positive attitudes toward hearing loss prevention and risk reduction
practices among students, faculty, and staff.
For most students, information about risk to hearing will be new, unusual,
and challenging. In order to be effective, students must believe they
are at risk and they must believe that the benefits of performing any
recommended protective behavior outweigh the costs of risk-taking behavior.
To fulfill this goal, instructing faculty should:
1) Address the importance and sophistication of the sense of hearing for
musicians (speech understanding, pitch perception, localization, etc).
" Hearing loss permanently changes a musician’s capacity
to hear and can diminish capability to perceive changes in timbre, pitch,
dynamics, and localization".
2) Characterize prevalence rates for problems with hearing loss among musicians
and assert that the risk occurs across all music genres and is not restricted
to particular types of music, instruments, or venues.
"
Experts agree that 30 to 50% of musicians have problems with hearing loss.
Proportions are related to many factors including the instrument played,
the genre of music performed, and the performance venue."
3) Characterize safe sound levels:
" Risk for injury is based on both sound intensity and
duration. The exposure limit is 85dBA (TWA) for eight hours in one day.
Even brief exposures to extremely loud sounds have the same potential
for hearing damage as longer exposures to lower intensity sound sources.
For every 3 dB increase in sound level, decrease the time of exposure
by half, as shown in the following chart."
TWA Decibel Levels and Maximum Exposure Time
85 dB . . . . . . . . . . . . . . . . . . . . 8 hours
88 dB . . . . . . . . . . . . . . . . . . . . 4 hours
91 dB. . . . . . . . . . . . . . . . . . . .. 2 hours
94 dB . . . . . . . . . . . . . . . . . . . . 1 hour
97 dB . . . . . . . . . . . . . . . . . . . . 30 minutes
100 dB . . . . . . . . . . . . . . . . . . . 15 minutes
103 dB . . . . . . . . . . . . 7 minutes 30 seconds
106 dB . . . . . . . . . . . 3 minutes 45 second
109 dB . . . . . . . . . . . . . 1 minute 53 seconds
4) Characterize potential sound levels generated by music ensemble:
" The average sound levels produced within certain music
ensembles can be very high and are dependent on many factors including
an individual’s location within the ensemble, size and kind of ensemble,
the selected literature, choices regarding dynamic levels, the acoustical
environment, and individual playing styles."