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Dr. Stephen F. Austin
Stephen F. Austin, M.M., Ph.D. is Associate Professor of Voice
and Vocal Pedagogy at the University of North Texas in Denton, Texas.
After receiving a masters degree in vocal performance at the University
of North Texas, Dr. Austin went on to complete the Ph.D. in Voice
Science in the Department of Speech Pathology and Audiology at the
University of Iowa. Dr. Austin's dissertation was titled "The
Effect of Sub-glottal Resonance Upon Vibration of the Vocal Folds".
This and other research is published in The Journal of Voice and
the Journal of Singing.
Dr. Austin taught at Louisiana State University for 11 years before
joining the UNT faculty in 2001. At LSU he was the director of the
Laboratory for Research of the Singing Voice. This research facility
was a comprehensive lab dedicated to the study of the classically
trained singing voice through measurement and analysis of vocal
tract acoustics and articulatory behavior. He is now associated
with the Texas Center for Music and Medicine at UNT.
Dr. Austin is an active performer and lecturer. He has presented
recitals, lectures, and workshops across this country and in Australia
and The Netherlands. Recent performances include recitals with his
wife, soprano Kathryn George, the role of the Evangelist in the
St. Matthew Passion of J.S. Bach and tenor soloist in Mozart's Requiem
with the Baton Rouge Symphony.
He is regularly featured on the faculty of the Annual Symposium:
Care of the Professional Voice sponsored by the Voice Foundation
every June in Philadelphia. He has made presentations to the national
conventions of the American Speech and Hearing Association, the
Music Teachers National Association and the National Association
of Teachers of Singing (NATS). He has also been featured as a guest
at numerous national and regional workshops sponsored by NATS. Dr.
Austin is a regular contributing author to Australian Voice, the
journal of the Australian National Association of Teachers of Singing
and beginning in 2004 he will be a regular contributing author to
The Journal of Singing in his new column, Provenance, a look at
the continuing influence of pedagogical practice from important
historical sources. He serves the national organization of NATS
as the chair of the Voice Science Advisory Committee and is a member
of the editorial board of the Journal of Singing. Dr. Austin serves
on the Science Advisory Board of the Voice Foundation.
Dr. Austin has students singing leading roles in professional opera
houses in Germany and the United States.
Texas
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